Tonicization is the process of making a non-tonic chord temporarily sound like tonic. It’s accomplished using secondary dominant or secondary leading-tone chords (sometimes called applied dominant and applied leading-tone chords). First, we’ll learn how to tonicize the dominant, and then we’ll see tonicizations of non-dominant chords. Tonicizing V
In music, tonicization is the treatment of a pitch other than the overall tonic (the "home note" of a piece) as a temporary tonic in a composition. In Western music that is tonal, the piece is heard by the listener as being in a certain key. A tonic chord has a dominant chord; in the key of C major, the tonic chord is C major and the dominant chord is G major or G dominant seventh. The dominant chor…
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Tonicization - Music Theory for the 21st-Century Classroom
Section17.2 Tonicization. In this chapter and the next, we will study tonicization, which means treating a chord other than the I I chord like a tonic by approaching it with its dominant. In diatonic harmony, the V V chord (the dominant) resolves to the I I chord (the tonic). A secondary dominant is a major triad or dominant seventh chord that resolves to (or tonicizes) a chord other than …
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What is tonicization in music theory? – Pvillage.org
What is tonicization in music theory? In music, tonicization is the treatment of a pitch other than the overall tonic (the “home note” of a piece) as a temporary tonic in a composition. In Western music that is tonal, the piece is heard by the listener as being in a certain key.
Jan 27, 2006 · Tonicization in music theory is often interchanged with the term modulation. While both are based on the concept of changing key within a composition to create dramatic interest, the main differentiating factor is duration. Tonicizations tend to be brief and based on movement by leading tone or tonic/dominant chord progression.
Tonicization Tonicization involves entering a new key briefly, but not permanent. In contrast to modulation, there is no authentic cadence (perfect cadence ) during a tonicization that can induce a permanent change of key. Example of a tonicization: Modulation
UNDER CONSTRUCTIONpdfMIDIElisabeth, Sophie, Vom Himmel kommt der Trost, for voice and continuo, edited by Karl Wilhelm, mm.1-22 (answer key)pdfmp3Velásquez, José Francisco (the younger) Por más que el fiero Averno, an Oratorio for voice and piano,mvt. II. Allegro, mm.1-17 entire movementpdfmp3Maier, Amanda, Six Pieces for Violin, No. 6, Allegro, ma non …
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Tonicization versus Modulation - University of Puget Sound
Tonicization, involving secondary chords, can be as short as two chords ( V V V / V to V V, for example) but can sometimes encompass several measures as in the following example. 🔗 Figure 22.2.1. Schubert, Schwanegesang, D. 957, “Abschied” (1828) 🔗 Below is a reduction showing the underlying diatonic progression of the example above.
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Extended Tonicization and Modulation to Closely Related …
We’ve seen that tonicization involves making a non-tonic chord sound like a temporary tonic. In this chapter we discuss modulation which, in contrast to the temporary nature of tonicization, involves a longer-term change of tonic (Example 1). Sometimes people refer to modulation as a “change of key.”
Tonicization occurs when a chord or short succession of chords are borrowed from another key in order to emphasize—or tonicize —a chord in the home key. (See analyzing applied chords .) Modulation occurs when a longer succession of chords emphasizes a new tonic, leading to the perception of a new key.
